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Ruv Draba's avatar

I found this interesting, Kristin. My read was already that you were about the most Calvinist Catholic I had ever encountered. :)

It also explains a lot. You want a world with a single, moral Author (undoubtedly, morality would be a lot less murky if it had one.) You want the authorship to be evident everywhere, potentially to everyone, or else it's the betrayal of indifference. And you're stoic enough to imagine that most if not all human moral challenges would be transparent to a wise authorship, which is why you won't let humans off the hook for what they don't know and why predestination calls to you.

So if moral authorship is visible everywhere, then it should also be visible in the creative subconscious, which is why you're reading tea-leaves in movies.

That's a huge cognitive load though. It explains why you have to cherry-pick what you read from where: why it has to be American movies from your own era, and just those which already talk to you, offering comfort within uncertainty. Making coherent moral sense of the full spectrum of human creativity would do the opposite: it would challenge and destabilise, even though theoretically, the same moral insight should be visible there too, in every culture, and consistently over time.

But that's not the interesting part.

The interesting part to me is how much forgiveness this demands. You have individualised every harm that is structural, ignoring the historical reality that a lot of our moral sensitivity is social. Our ancestors burned cats for sport; we no longer do so. Subsistence survival is brutal, but food and energy surpluses let us entertain moral choices that once would have been luxuries.

Empathically you're a collectivist, but morally you have to be isolationist. Hence the individual magisteria.

As someone who couldn't belong if he tried, I feel I can safely say: you have sacrificed an awful lot of fellowship just to stitch together a feeling of coherent certainty.

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